Can Christian writers get traditionally published?

Recently a lot of writers in my circles have been evaluating their success (or lack thereof) with publishing. Becky Minor, of the Realm Makers Conference, articulated the question this way:


Many of us have the goal of writing stories with Godly underpinnings, even if the Christian values or themes are not overt. We’d love for our stories to reach beyond “preaching to the choir,” so to speak.

What I wonder is this: do such stories actually have a chance of being traditionally published? Or are they more likely to collect rejections for “lacking freshness” (because the story contains moral absolutes), committing cultural appropriation/exploitation (because an author opted to write outside of the typical American churchgoing experience), being misogynistic (a hierarchy of authority might be headed by male members of a society) , or land on the wrong side of any of a number of hot button thou-shalt-nots?

As you ruminate on the strictures of the both the CBA and the ABA worlds, what is really true about the publishing prospects of Judeo-Christian-leaning speculative fiction?


This launched a discussion with all kinds of opinions. One science fiction writer talked about being told that Anne McCaffery is no longer relevant to the genre:


I think they’re likely to collect rejections, and unfortunately it’s not a failing of quality stories or even a measure of what people will buy or read, but a failing of traditional publishing. They’re so committed to secular humanism and the politics that follow with it that there’s no room for heroes anymore. Their sensitivity readers will wash it all out.

The good news is they keep pushing the boundaries of what’s acceptable and tolerable to them into a smaller and smaller box. Just last night I had the trad pub crowd on a fake news site railing on me while I was defending Anne McCaffrey, as they called her a “problematic writer”. No joke. There may not be a traditional publishing in 10 years time if they tell most of the reading population that they’re not wanted.

pern-cover
Dragonriders of Pern, while it does have dragons, is actually science fiction

Another person remarked,


The general market is very open to all of the above as long as the story isn’t clearly “message driven” or “preachy”. It’s all about a good story. I just look at all the great LDS authors like Brandon Sanderson who have theology and/or moral underpinnings in their works. Readers in the general market love it. The authors don’t preach, but their worldview is infused in their stories.

banner-wayofkings-680x310
Cover art for The Way of Kings by Brandon Sanderson

And then comes the mic drop.



I think too often these musings are just another layer of excuse. I’m certainly not saying that was Becky’s intent here, but it’s something I do see a lot, particularly in culturally/politically like-minded groups. “This story probably won’t sell because the market blah blah blah it’s out of my hands.” And note that the “other side” is wringing their hands over the identical issue. “I can’t sell my story about my black lesbian abortion doctor because it’s too marginal/controversial.” They have the same experiences of rejection which seem to support that view. Neither end of the bell curve can see the other, only the bump in the middle which appears to be the opposite end. We all think we’re being shut out, when in fact there’s an enormous bump in the middle.

But really, it’s very much in your hands. No, you don’t get to make the final buying decision, that’s all on the editor 🙂 but you are 100% responsible for the submission package you send. And most of the time, that’s about your story, not about you.

And in my observation, it’s not as limiting as described above. The limitations are OURS. If a writer can’t write the difference between a male authority character and misogyny, that’s the problem, rather than a cultural conspiracy. Likewise while there are a few cultural appropriation landmines to avoid, the majority of the market is pretty fair and accessible (I’m super-white, and my last traditional short story did not have a single white character and was set in a country I’ve never visited).

I think much of the time, this is the same emotional response I see in myself to the CBA. It’s not what I know and am comfortable with, so I think it’s constrictive, I find it unwelcoming, and I might call it names. 😉 If we look around this group and are very honest with ourselves, we’ll see we are predominantly white, predominantly Republican, predominantly homeschool, etc. But those tribes have NOTHING to do with Christianity, if we really think about it. To say “I can’t sell because I’m a Christian” is a false oversimplification at very best, while to say “I can’t sell my climate-change-is-a-global-conspiracy story to a hard science mag” may be a more accurate assessment.

We don’t have to “sneak” our worldview in. If it’s really our worldview, it’s already in, wholly permeating our story. But we have to keep in mind what our ultimate message is, too. Is our ultimate theme to convert people to a political view or a change in habits? (Hey, that’s a longstanding literary thing, go right ahead, just don’t pretend it’s your *faith* which is holding you back from publishing success.) Or is our ultimate theme a message of love and hope and spiritual redemption? Because that should carry through regardless of male or female characters, cultural setting, politics, etc.

TL;DR: Don’t confuse politics and faith, don’t assume a lack of sales is relevant to faith, consider Occam’s Razor when guessing at cause of rejection (if 95% of secular stories are rejected, yours might be just rejected too rather than the rejection being a specific anti-Christian response).

(Note: somebody is probably going to read this and interpret that I’m recommending a personal sellout to get sales. That’s absolutely not my point at all. That is in fact the opposite of my point.)


After that, the discussion was pretty much over. I thought it was fascinating–the idea that maybe the problem isn’t publishing. Maybe the problem is us.

It made me really evaluate my own writing. I have a faith-based element in the Malevolent books, and their sales are mediocre. It could also be that the YA paranormal romance genre is a hard sell right now. My cozy dragon mystery, which has no religion at all, but lots of nice people being nice to each other, is selling really well. That “permeating worldview” seems to speak more powerfully than writing a sermon.

(All quotes have had the names removed to protect identities. If you would like your message here removed, drop me a line.)

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2 thoughts on “Can Christian writers get traditionally published?

  1. It begins and ends with intimacy with the Father. Think of Jesus’ response about paying taxes to Caesar.
    We have to believe God can give us fresh and excellent inspiration from Heaven, not trying to copy from the (fleshy) rat race. If our hearts hunger and are full of revelations of Jesus’ glory, it will automatically leak out in what we do like Joseph in Genesis. All you have to do is be yourself. We have to know WHO we are in Christ and it comes out in our work.

    Like

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