I think most writers have bits of old stories collecting dust somewhere. We write snippits and scenes, and hide them away in our notebooks and hard drives, stumbling upon them years later with cries of delight.
“What does this mean?” we exclaim. “What was I thinking? What was the rest of this idea?” And if enough time has gone by, we’ve forgotten what it meant. And it’s up for grabs for incorporating into our current work.
The Spacetime series has been under construction for so many years that it has lots of extra plots lying around. One plot that got cut was the story of Echo. She was Carda’s girlfriend who mysteriously died–come to find out that she was this weird timeline copy of a girl named Alatha. Alatha had had some kind of magical accident that split her into echoes, and each echo had developed its own life.
All that was crammed into book one, The Strider of Chronos. If we had left in all the plots, the poor book would have been a thousand pages long. So I set it aside for a different book. Lo and behold, along comes Magic Weaver. It’s finally time to tell Alatha’s story.
Except my husband and I couldn’t figure out how to tell the story in a way that made sense. If a person is split into copies, are the copies alternate realities? Are they good/evil clones? Are they personality aspects?
We tossed around all kinds of ideas. A lot of them were too silly, like, everybody has seen the evil double plot in cartoons.
I decided to try writing Alatha as split into two people, Alatha and Echo. One would be good and one would be evil. Except upon trying to write it, I discovered that good and evil are enmeshed too tightly in the human psyche. The bad one would sometimes do good things and the good would would occasionally do bad things. And what are good and evil in this context, anyway? If the good one knocks out an attacker, was that a bad action?
Also, we wound up having Echo and Esca. This was really confusing and hard to read.
I scrapped that draft and started over. This time, Alatha’s timeline had been cut up. The other bits of her were actually possible futures that had been removed, and were wandering around as ghosts. Finally, I had a plot that worked.
There was another plot that had been cut–Xironi’s robot cat, Esca. Esca was originally supposed to be in the series from the beginning, but I wanted to show where she came from. This meant that Esca had to wait until Xironi got her own book, and they could properly meet.
So Magic Weaver is made up of lots of bits of stories that had to be cut away and saved. If you’ve had stories that you’ve had to set aside, or plots that you couldn’t make work, just put them away for a while. Eventually you’ll find a place for them, if you want to use them badly enough. Sometimes ideas just need a truckload of refining. Alatha/Echo took a lot of brainpower to make work right.